This ability not merely to see but also to render on paper the subtlety of the outline of the human figure made him acutely aware of how tiny a difference separates beauty from ugliness.[...]
Seeing how rarely the human face or figure attains perfection gave Peake the potential to be a caricaturist, or a cynic; instead he lovingly played with the borderline and created grotesques. That he was quite aware of this is illustrated by his comment on Fuchsia: She was gauche in movement and in a sense, ugly of face, but with how small a twist might she not suddenly have become beautiful (from Titus Groan)"
(G.Peter Winnington in "Lines of Flight - Mervyn Peake, The Illustrated Work")


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